{"id":124640,"date":"2025-05-28T11:09:35","date_gmt":"2025-05-28T09:09:35","guid":{"rendered":"https:\/\/tie2.lt\/?p=124640"},"modified":"2025-05-28T11:18:33","modified_gmt":"2025-05-28T09:18:33","slug":"julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha","status":"publish","type":"post","link":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/","title":{"rendered":"JULIA DECOURNAU&#8217;S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING &#8220;ALPHA&#8221;"},"content":{"rendered":"<p data-start=\"66\" data-end=\"98\"><strong data-start=\"66\" data-end=\"98\">Review by Valdon\u0117 Rudenkien\u0117<\/strong><\/p>\n<figure id=\"attachment_124641\" aria-describedby=\"caption-attachment-124641\" style=\"width: 200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-124641\" src=\"https:\/\/tie2.lt\/wp-content\/uploads\/2025\/05\/th.jpeg\" alt=\"\" width=\"200\" height=\"112\" \/><figcaption id=\"caption-attachment-124641\" class=\"wp-caption-text\">AI created photo.<\/figcaption><\/figure>\n<p data-start=\"100\" data-end=\"406\">French director Julia Ducournau, known for her innovative and provocative filmmaking, has returned to the Cannes Film Festival with her latest film <em data-start=\"248\" data-end=\"255\">Alpha<\/em>. After her 2021 Palme d&#8217;Or-winning <em data-start=\"291\" data-end=\"299\">Titane<\/em>, <em data-start=\"301\" data-end=\"308\">Alpha<\/em> was one of the most anticipated films of the year\u2014but critics have responded with mixed opinions.<\/p>\n<p data-start=\"408\" data-end=\"922\"><em data-start=\"408\" data-end=\"415\">Alpha<\/em> tells the story of a 13-year-old girl named Alpha (played by M\u00e9lissa Boros), who lives with her single mother (Golshifteh Farahani) in a world plagued by a strange blood-borne disease that gradually turns infected people into marble statues. After a party where Alpha gets a tattoo, her mother begins to worry that her daughter may have contracted the illness. The film also explores family dynamics, particularly the relationship with Alpha\u2019s uncle Amin (Tahar Rahim), who struggles with heroin addiction.<\/p>\n<p data-start=\"924\" data-end=\"1197\"><em data-start=\"924\" data-end=\"931\">Alpha<\/em> aims to explore themes of illness, social exclusion, and family relationships. However, some critics argue that the film\u2019s metaphors\u2014especially those related to the AIDS epidemic and marginalization\u2014are too vague or underdeveloped to have a strong emotional impact.<\/p>\n<p data-start=\"1199\" data-end=\"1497\"><em data-start=\"1199\" data-end=\"1206\">Alpha<\/em> is an ambitious but polarizing work that attempts to combine body horror aesthetics with social critique. Still, some critics have noted that the film\u2019s visuals often overpower its narrative. And while this imbalance was a deliberate choice in <em data-start=\"1451\" data-end=\"1459\">Titane<\/em>, it does not work in <em data-start=\"1481\" data-end=\"1490\">Alpha\u2019s<\/em> favor.<\/p>\n<p data-start=\"1499\" data-end=\"2337\">The strongest aspect of the film is the performances. M\u00e9lissa Boros sensitively conveys the inner turmoil of a teenager, while Golshifteh Farahani and Tahar Rahim deliver authentic and emotionally resonant portrayals. Visually, the film remains true to Ducournau\u2019s style\u2014intense, colorful, and often unsettling. However, this same aesthetic sometimes overshadows the story structure. The film does not shy away from metaphors of disease, exclusion, and marginalization, but critics have noted that these themes are not clearly enough developed, making them easy to lose in the chaos of the narrative. In its attempt to push the boundaries of traditional cinema, <em data-start=\"2161\" data-end=\"2168\">Alpha<\/em> risks losing emotional connection with the viewer. It may appeal to those seeking experimental cinema, but could disappoint viewers expecting a more coherent storyline.<\/p>\n<p data-start=\"2339\" data-end=\"2788\">Stylistically, <em data-start=\"2354\" data-end=\"2361\">Alpha<\/em> maintains Ducournau\u2019s signature elements\u2014strong visuals, body horror, bold contrasts. But this time, the aesthetics seem to overwhelm the narrative. Where <em data-start=\"2517\" data-end=\"2525\">Titane<\/em> took risks and managed its chaos, <em data-start=\"2560\" data-end=\"2567\">Alpha<\/em> appears to get lost in it. While both films feature strong performances, the characters in <em data-start=\"2659\" data-end=\"2667\">Titane<\/em>, despite their strangeness, were deeply human and memorable. In <em data-start=\"2732\" data-end=\"2739\">Alpha<\/em>, they sometimes lack a clearer emotional anchor.<\/p>\n<p data-start=\"2790\" data-end=\"3151\">It can be said that <em data-start=\"2810\" data-end=\"2817\">Alpha<\/em> is an attempt to delve even deeper into the darker aspects of human experience, but this time Ducournau took significant risks with the content. Though her directorial style remains undeniably original, <em data-start=\"3021\" data-end=\"3028\">Alpha<\/em> does not achieve the same impact or provocative clarity that made <em data-start=\"3095\" data-end=\"3103\">Titane<\/em> a cult classic with strong emotional resonance.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Review by Valdon\u0117 Rudenkien\u0117 French director Julia Ducournau, known for her innovative and provocative filmmaking, has returned to the Cannes Film Festival with her latest film Alpha. After her 2021 Palme d&#8217;Or-winning Titane, Alpha was one of the most anticipated films of the year\u2014but critics have responded with mixed opinions. Alpha tells the story of [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":124646,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[197,55],"tags":[],"class_list":["post-124640","post","type-post","status-publish","format-standard","has-post-thumbnail","category-cinema","category-culture"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v20.4 (Yoast SEO v28.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>JULIA DECOURNAU&#039;S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING &quot;ALPHA&quot; - Tie 2<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"JULIA DECOURNAU&#039;S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING &quot;ALPHA&quot;\" \/>\n<meta property=\"og:description\" content=\"Review by Valdon\u0117 Rudenkien\u0117 French director Julia Ducournau, known for her innovative and provocative filmmaking, has returned to the Cannes Film Festival with her latest film Alpha. After her 2021 Palme d&#8217;Or-winning Titane, Alpha was one of the most anticipated films of the year\u2014but critics have responded with mixed opinions. Alpha tells the story of [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/\" \/>\n<meta property=\"og:site_name\" content=\"Tie 2\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/profile.php?id=100084876983923\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-28T09:09:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-28T09:18:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/tie2.lt\/wp-content\/uploads\/2025\/05\/julia-ducournau-cannes-2021-closing-ceremony.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"468\" \/>\n\t<meta property=\"og:image:height\" content=\"724\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Tie2\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@tie2tiedu\" \/>\n<meta name=\"twitter:site\" content=\"@tie2tiedu\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tie2\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/\"},\"author\":{\"name\":\"Tie2\",\"@id\":\"https:\\\/\\\/tie2.lt\\\/#\\\/schema\\\/person\\\/b6d48f978f371c2ae0349c606d3b81b6\"},\"headline\":\"JULIA DECOURNAU&#8217;S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING &#8220;ALPHA&#8221;\",\"datePublished\":\"2025-05-28T09:09:35+00:00\",\"dateModified\":\"2025-05-28T09:18:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/\"},\"wordCount\":491,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/tie2.lt\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/tie2.lt\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/julia-ducournau-cannes-2021-closing-ceremony.jpg\",\"articleSection\":[\"Cinema\",\"Culture\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/\",\"url\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/\",\"name\":\"JULIA DECOURNAU'S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING \\\"ALPHA\\\" - Tie 2\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/tie2.lt\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/tie2.lt\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/julia-ducournau-cannes-2021-closing-ceremony.jpg\",\"datePublished\":\"2025-05-28T09:09:35+00:00\",\"dateModified\":\"2025-05-28T09:18:33+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/#primaryimage\",\"url\":\"https:\\\/\\\/tie2.lt\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/julia-ducournau-cannes-2021-closing-ceremony.jpg\",\"contentUrl\":\"https:\\\/\\\/tie2.lt\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/julia-ducournau-cannes-2021-closing-ceremony.jpg\",\"width\":468,\"height\":724,\"caption\":\"Wikipedija photo.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/tie2.lt\\\/en\\\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/tie2.lt\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"JULIA DECOURNAU&#8217;S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING &#8220;ALPHA&#8221;\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/tie2.lt\\\/#website\",\"url\":\"https:\\\/\\\/tie2.lt\\\/\",\"name\":\"Tie 2\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/tie2.lt\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/tie2.lt\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/tie2.lt\\\/#organization\",\"name\":\"Tie2\",\"url\":\"https:\\\/\\\/tie2.lt\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/tie2.lt\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/tie2.lt\\\/wp-content\\\/uploads\\\/2022\\\/07\\\/T.2-logo.png\",\"contentUrl\":\"https:\\\/\\\/tie2.lt\\\/wp-content\\\/uploads\\\/2022\\\/07\\\/T.2-logo.png\",\"width\":88,\"height\":87,\"caption\":\"Tie2\"},\"image\":{\"@id\":\"https:\\\/\\\/tie2.lt\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/profile.php?id=100084876983923\",\"https:\\\/\\\/x.com\\\/tie2tiedu\",\"https:\\\/\\\/www.instagram.com\\\/tie2.lt\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/tie2.lt\\\/#\\\/schema\\\/person\\\/b6d48f978f371c2ae0349c606d3b81b6\",\"name\":\"Tie2\",\"url\":\"https:\\\/\\\/tie2.lt\\\/en\\\/author\\\/tie2\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"JULIA DECOURNAU'S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING \"ALPHA\" - Tie 2","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/","og_locale":"en_US","og_type":"article","og_title":"JULIA DECOURNAU'S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING \"ALPHA\"","og_description":"Review by Valdon\u0117 Rudenkien\u0117 French director Julia Ducournau, known for her innovative and provocative filmmaking, has returned to the Cannes Film Festival with her latest film Alpha. After her 2021 Palme d&#8217;Or-winning Titane, Alpha was one of the most anticipated films of the year\u2014but critics have responded with mixed opinions. Alpha tells the story of [&hellip;]","og_url":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/","og_site_name":"Tie 2","article_publisher":"https:\/\/www.facebook.com\/profile.php?id=100084876983923","article_published_time":"2025-05-28T09:09:35+00:00","article_modified_time":"2025-05-28T09:18:33+00:00","og_image":[{"width":468,"height":724,"url":"https:\/\/tie2.lt\/wp-content\/uploads\/2025\/05\/julia-ducournau-cannes-2021-closing-ceremony.jpg","type":"image\/jpeg"}],"author":"Tie2","twitter_card":"summary_large_image","twitter_creator":"@tie2tiedu","twitter_site":"@tie2tiedu","twitter_misc":{"Written by":"Tie2","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/#article","isPartOf":{"@id":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/"},"author":{"name":"Tie2","@id":"https:\/\/tie2.lt\/#\/schema\/person\/b6d48f978f371c2ae0349c606d3b81b6"},"headline":"JULIA DECOURNAU&#8217;S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING &#8220;ALPHA&#8221;","datePublished":"2025-05-28T09:09:35+00:00","dateModified":"2025-05-28T09:18:33+00:00","mainEntityOfPage":{"@id":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/"},"wordCount":491,"commentCount":0,"publisher":{"@id":"https:\/\/tie2.lt\/#organization"},"image":{"@id":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/#primaryimage"},"thumbnailUrl":"https:\/\/tie2.lt\/wp-content\/uploads\/2025\/05\/julia-ducournau-cannes-2021-closing-ceremony.jpg","articleSection":["Cinema","Culture"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/","url":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/","name":"JULIA DECOURNAU'S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING \"ALPHA\" - Tie 2","isPartOf":{"@id":"https:\/\/tie2.lt\/#website"},"primaryImageOfPage":{"@id":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/#primaryimage"},"image":{"@id":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/#primaryimage"},"thumbnailUrl":"https:\/\/tie2.lt\/wp-content\/uploads\/2025\/05\/julia-ducournau-cannes-2021-closing-ceremony.jpg","datePublished":"2025-05-28T09:09:35+00:00","dateModified":"2025-05-28T09:18:33+00:00","breadcrumb":{"@id":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/#primaryimage","url":"https:\/\/tie2.lt\/wp-content\/uploads\/2025\/05\/julia-ducournau-cannes-2021-closing-ceremony.jpg","contentUrl":"https:\/\/tie2.lt\/wp-content\/uploads\/2025\/05\/julia-ducournau-cannes-2021-closing-ceremony.jpg","width":468,"height":724,"caption":"Wikipedija photo."},{"@type":"BreadcrumbList","@id":"https:\/\/tie2.lt\/en\/julia-decournaus-return-to-cannes-ambitious-but-unconvincing-alpha\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/tie2.lt\/en\/"},{"@type":"ListItem","position":2,"name":"JULIA DECOURNAU&#8217;S RETURN TO CANNES: AMBITIOUS BUT UNCONVINCING &#8220;ALPHA&#8221;"}]},{"@type":"WebSite","@id":"https:\/\/tie2.lt\/#website","url":"https:\/\/tie2.lt\/","name":"Tie 2","description":"","publisher":{"@id":"https:\/\/tie2.lt\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/tie2.lt\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/tie2.lt\/#organization","name":"Tie2","url":"https:\/\/tie2.lt\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/tie2.lt\/#\/schema\/logo\/image\/","url":"https:\/\/tie2.lt\/wp-content\/uploads\/2022\/07\/T.2-logo.png","contentUrl":"https:\/\/tie2.lt\/wp-content\/uploads\/2022\/07\/T.2-logo.png","width":88,"height":87,"caption":"Tie2"},"image":{"@id":"https:\/\/tie2.lt\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/profile.php?id=100084876983923","https:\/\/x.com\/tie2tiedu","https:\/\/www.instagram.com\/tie2.lt\/"]},{"@type":"Person","@id":"https:\/\/tie2.lt\/#\/schema\/person\/b6d48f978f371c2ae0349c606d3b81b6","name":"Tie2","url":"https:\/\/tie2.lt\/en\/author\/tie2\/"}]}},"publishpress_future_action":{"enabled":false,"date":"2026-10-14 05:47:36","action":"change-status","newStatus":"trash","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/posts\/124640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/comments?post=124640"}],"version-history":[{"count":3,"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/posts\/124640\/revisions"}],"predecessor-version":[{"id":124649,"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/posts\/124640\/revisions\/124649"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/media\/124646"}],"wp:attachment":[{"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/media?parent=124640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/categories?post=124640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tie2.lt\/en\/wp-json\/wp\/v2\/tags?post=124640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}